Danish film scholar, Lars-Martin Sorensen, describes US censorship of Japanese film during the American occupation of Japan (1945-1952) and the challenges Kurosawa faced from these censors on his early films, particularly Drunken Angel (1948).
Robert Fischer
Self
Lars-Martin Sorenson
Peter Becker
Executive Producer
Fumiko Takagi
Associate Producer
Isabel Sadurni
Editor
Director
Heather Shaw
Jonathan Turell