CineScope
Shane Black picture

Shane Black

Writing
Known For

64 Years Old

Shane Black (born December 16, 1961) is an American filmmaker and actor who has written such films as Lethal Weapon, The Monster Squad, The Last Boy Scout, Last Action Hero, and The Long Kiss Goodnight. He is also known as the original creator of the Lethal Weapon franchise. As an actor, Black is best known for his role as Rick Hawkins in Predator (1987). He made his directorial debut with the film Kiss Kiss Bang Bang in 2005. Black went on to write and direct Iron Man 3 (2013), The Nice Guys (2016), and The Predator (2018).

Born

Pittsburgh, Pennsylvania, USA on 16th December 1961

All Credits

Predator Image
Predator
Rick Hawkins
Wolfman's Got Nards Image
Wolfman's Got Nards
Self
The Hunt for Red October Image
The Hunt for Red October
Crewman, USS Reuben James (uncredited)
As Good as It Gets Image
As Good as It Gets
Cafe 24 Manager
RoboCop 3 Image
RoboCop 3
Donnelly
Dead Heat Image
Dead Heat
Patrolman
An Alan Smithee Film: Burn, Hollywood, Burn Image
An Alan Smithee Film: Burn, Hollywood, Burn
Self
Swing State Image
Swing State
Luke
Marvel One-Shot: Agent Carter Image
Marvel One-Shot: Agent Carter
Disembodied Voice (voice)
Marvel Studios: Assembling a Universe Image
Marvel Studios: Assembling a Universe
Self
In Search of the Last Action Heroes Image
In Search of the Last Action Heroes
Himself
In Search of Tomorrow Image
In Search of Tomorrow
Self - Interviewee
Iron Man 3 Unmasked Image
Iron Man 3 Unmasked
Self
Any Day Image
Any Day
Gino
A Moral Right: The Politics of Dirty Harry Image
A Moral Right: The Politics of Dirty Harry
Self
Tales from the Script Image
Tales from the Script
Self
The Long Shadow of Dirty Harry Image
The Long Shadow of Dirty Harry
Self
The Evolution of Clint Eastwood Image
The Evolution of Clint Eastwood
Self
The Craft of Dirty Harry Image
The Craft of Dirty Harry
Self
The Business End: Violence in Cinema Image
The Business End: Violence in Cinema
Self
If It Bleeds We Can Kill It: The Making of 'Predator' Image
If It Bleeds We Can Kill It: The Making of 'Predator'
Self