CineScope
Hisayasu Satō picture

Hisayasu Satō

Directing
Known For

66 Years Old

Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.

Born

Shizuoka, Shizuoka Prefecture, Japan on 15th August 1959

All Credits

In The Sea of Trees Image
In The Sea of Trees
No Image
Hometown Porn Girl 18! Seeding Festival
Autumn Image
Autumn
Chikan densha: Iyarashii kôi Image
Chikan densha: Iyarashii kôi
Man drinking sake
Cross the Lens Image
Cross the Lens
Self
Pink Physical Examination Image
Pink Physical Examination
Zetsukin gyaru: Yaruki munmun Image
Zetsukin gyaru: Yaruki munmun
Tokyo Elegy Image
Tokyo Elegy
Detective
Cruising Love Story Image
Cruising Love Story
Man in gay couple
Groper Train: Final Stop Image
Groper Train: Final Stop
Man groping school girl
Female Prisoners: Brutal Treatment Image
Female Prisoners: Brutal Treatment
Groper Train: Start at the Back Image
Groper Train: Start at the Back
Cameraman
No Image
Crying Rope, Missing Black Hair
Wakazuma Misshitsu Bôkô Jiken Image
Wakazuma Misshitsu Bôkô Jiken
No Image
Delivery Wife: Get Wet!
No Image
Young Wife Assault Pervert
I Stand Alone - SEX & LOVE Image
I Stand Alone - SEX & LOVE
Japanscope, panorama de la nouvelle Nouvelle Vague Image
Japanscope, panorama de la nouvelle Nouvelle Vague
Unidentified Followed Objects Image
Unidentified Followed Objects
Self
Walking in Circles: Part 2 Image
Walking in Circles: Part 2
Self