CineScope
John Knoll picture

John Knoll

Visual Effects
Known For

62 Years Old

John Knoll (born October 6, 1962) is an American visual effects supervisor and chief creative officer (CCO) at Industrial Light & Magic(ILM). One of the original creators of Adobe Photoshop (along with his brother, Thomas Knoll), he has also worked as a visual effects supervisor on the Star Wars prequels and the 1997 special editions of the original trilogy. He also served as ILM's visual effects supervisor for Star Trek Generations and Star Trek: First Contact, as well as the Pirates of the Caribbean series. Along with Hal Hickel, Charles Gibson and Allen Hall, Knoll and the trio's work on Pirates of the Caribbean: Dead Man's Chest earned them the Academy Award for Best Visual Effects. Knoll has been praised by directors James Cameron, Gore Verbinski, Guillermo del Toro, and Brad Bird. Del Toro, who worked with Knoll for the first time on Pacific Rim, stated, "He basically has the heart of a kid and the mind of a scientist, and that's a great combination." Knoll was also the inventor of Knoll Light Factory, a lens flare-generating software inspired by his work at Industrial Light and Magic. He was the Computer Graphics Project Designer on The Abyss, an achievement which earned ILM its tenth Oscar, and worked on two Star Trek episodes: Star Trek: The Next Generation's pilot episode ("Encounter at Farpoint") and the Star Trek: Deep Space Nine episode "Explorers".  Knoll had a cameo appearance in Star Wars Episode I: The Phantom Menace as a fighter pilot who helped pitch the story of Rogue One, a feature film set in the Star Wars series, for which he also worked as writer and executive producer. John Knoll reflected on his work with George Lucas on the Star Wars prequel trilogy: "I still feel like I owe George a lot to have been given that opportunity. On those three films, I feel like I got a whole career's worth of experience packed into eight years. George never constricted his thinking to what he knew for sure the tools were capable of; his attitude was, "Yeah, well, I'm writing what I want to see, so you guys will figure it out." I loved that he would constantly throw those challenges out with the confidence [that] you guys will figure it out. That was great." In 2016, John Knoll and his brother Thomas were inducted into the International Photography Hall of Fame and Museum. At the 2019 Oscars, John and his brother Thomas were awarded a Scientific and Engineering Award for the original architecture, design and development of Photoshop. Description above from the Wikipedia article John Knoll, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Born

Ann Arbor, Michigan, USA on 6th October 1962

All Credits

Disney Gallery / Star Wars: The Mandalorian Image
Disney Gallery / Star Wars: The Mandalorian
Self - ILM Visual Effects Supervisor
Disney Gallery / Star Wars: The Mandalorian Image
Disney Gallery / Star Wars: The Mandalorian
Self
LIGHT & MAGIC Image
LIGHT & MAGIC
Self - Visual Effects Supervisor
LIGHT & MAGIC Image
LIGHT & MAGIC
Self - Computer Graphics
Mission: Impossible Image
Mission: Impossible
Passenger on Train in Tunnel (uncredited)
Star Wars: Episode III - Revenge of the Sith Image
Star Wars: Episode III - Revenge of the Sith
Fire Ship Pilot (uncredited)
Star Wars: Episode I - The Phantom Menace Image
Star Wars: Episode I - The Phantom Menace
Lt. Rya Kirsch - Bravo 4 / Flag Bearer (uncredited)
Side by Side Image
Side by Side
Self
No Feat But What We Make: 'Terminator 2' and the Rise of Digital Effects Image
No Feat But What We Make: 'Terminator 2' and the Rise of Digital Effects
From Puppets to Pixels: Digital Characters in 'Episode II' Image
From Puppets to Pixels: Digital Characters in 'Episode II'
Self
The Digital Artistry of Pacific Rim Image
The Digital Artistry of Pacific Rim
Self
The Stories: The Making of 'Rogue One: A Star Wars Story' Image
The Stories: The Making of 'Rogue One: A Star Wars Story'
Self
An Epic At Sea: The Making of Pirates of the Caribbean: The Curse of the Black Pearl Image
An Epic At Sea: The Making of Pirates of the Caribbean: The Curse of the Black Pearl
Self
A Final Cut for Orson: 40 Years in the Making Image
A Final Cut for Orson: 40 Years in the Making
Self - Visual Effects Supervisor
From Star Wars to Star Wars: The Story of Industrial Light & Magic Image
From Star Wars to Star Wars: The Story of Industrial Light & Magic
Self
Industrial Light & Magic: Creating the Impossible Image
Industrial Light & Magic: Creating the Impossible
Self
Star Wars: Within a Minute - The Making of Episode III Image
Star Wars: Within a Minute - The Making of Episode III
Self
Star Wars : La Révolution Visuelle Image
Star Wars : La Révolution Visuelle
State of the Art: The Pre-Visualization of 'Episode II' Image
State of the Art: The Pre-Visualization of 'Episode II'
Self