CineScope
Roland Topor picture

Roland Topor

Writing
Known For

59 Years Old

Roland Topor was a French illustrator, cartoonist, comics artist, painter, novelist, playwright, film and TV writer, filmmaker and actor, known for the surreal nature of his work. He gained notoriety as one of the home cartoonists of the subversive French magazine Hara-Kiri, renamed later Charlie-Hebdo. Roland Topor wrote the novel The Tenant (Le Locataire chimérique, 1964), which was adapted to film by Roman Polanski in 1976. The Tenant is the story of a Parisian of Polish descent, a chilling exploration of alienation and identity, asking disturbing questions about how we define ourselves.

Born

Paris, France on 7th January 1938

Died

16th April 1997

All Credits

Apostrophes Image
Apostrophes
Self
No Image
Midi trente
Self
Nulle part ailleurs Image
Nulle part ailleurs
Self
Ratataplan Image
Ratataplan
The Boss
Nosferatu the Vampyre Image
Nosferatu the Vampyre
Renfield
He! Viva Dada Image
He! Viva Dada
Self
Swann in Love Image
Swann in Love
Biche
Sweet Movie Image
Sweet Movie
Destins parallèles Image
Destins parallèles
Les vendredis d'Apostrophes Image
Les vendredis d'Apostrophes
Self (archive footage)
The Satin Spider Image
The Satin Spider
Le médecin
Who Are You, Polly Maggoo? Image
Who Are You, Polly Maggoo?
Un émissaire du prince
The Making of 'Nosferatu' Image
The Making of 'Nosferatu'
Self
Cartoon circus Image
Cartoon circus
Self
Three Lives and Only One Death Image
Three Lives and Only One Death
Bum #2
Threshold of the Void Image
Threshold of the Void
Homme dans le métro
The Butcher, the Star and the Orphan Image
The Butcher, the Star and the Orphan
Inspector Labelote
The Ones That Got Away Image
The Ones That Got Away
The murderous fencer
The Daughter of the Railroad Crossing Guard Image
The Daughter of the Railroad Crossing Guard
Le pochard
Topor, Père et Fils Image
Topor, Père et Fils
Topor and Me Image
Topor and Me
Self (Voice)
Italiques: Roland Topor Image
Italiques: Roland Topor
Self
Fantastic Laloux Image
Fantastic Laloux
Self
No Image
Le Cinéma au travail comme la mort