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New York Philharmonic Young People's Concerts0

New York Philharmonic Young People's Concerts

1958 - 1972

What Does Music Mean?

18th January 1958
Episode 1
Leonard Bernstein told the television audience at the start of the first Young People's Concert: "No matter what stories people tell you about what music means, forget them. Stories are not what music means. Music is never about things. Music just is. It's a lot of beautiful notes and sounds put together so well that we get pleasure out of hearing them. So when we ask, 'What does it mean; what does this piece of music mean?' we're asking a hard question. Let's do our best to answer it." During the course of this first program the New York Philharmonic performs portions of Rossini's William Tell Overture, Beethoven's Sixth Symphony, and Ravel's La Valse.

What is American Music?

1st February 1958
Episode 2
From Carnegie Hall, Bernstein discusses the origins and characteristics of American music. After an extended excerpt from George Gershwin's An American in Paris and a discussion of nationalistic and folk music, excerpts from compositions by American composers Edward MacDowell, William Schuman, Virgil Thomson, and others are performed. In closing Aaron Copland conducts parts of his own Third Symphony.

What is Orchestration?

8th March 1958
Episode 3
After brief introductory remarks, Bernstein conducts the finale of Rimsky-Korsakov's Capriccio espagnol and then explains what a composer must know in order to orchestrate music successfully. He compares the flute to the trumpet, and the clarinet to the viola, with examples from Debussy and Gershwin. After asking the audience to sing two notes in a variety of ways, he contrasts the families of instruments that compose an orchestra, using excerpts from Prokofiev, Hindemith, Mozart and others to illustrate, and ends with Ravel's Bolero.

What Makes Music Symphonic?

13th December 1958
Episode 4
Using the examples of Mozart's Jupiter Symphony and Tchaikovsky's Fourth Symphony, Bernstein demonstrates the techniques of repetition and variation int he development of symphonic music. After conducting part of Tchaikovsky's Romeo and Juliet, he asks the audience to sing "Frére Jacques," demonstrating the uses of sequence and imitation in symphonic composition. The final movement of Brahm's Second Symphony is then analyzed and played.

What is Classical Music?

24th January 1959
Episode 5
Bernstein conducts Handel's Water Music and cites it as an indisputable example of classical music. "Exact" is the word that best defines classical music, Bernstein says, and he demonstrates with musical illustrations from Bach's Fourth Brandenburg Concerto, Mozart's Concerto No. 21 in C Major and The Marriage of Figaro, and Haydn's Symphony No. 102. The decline of classical music at the end of the eighteenth century is tied to Beethoven's innovations and the Romantic movement, and Bernstein conducts Beethoven's Egmont Overture.

Humor in Music

28th February 1959
Episode 6
Using excerpts from Shostakovich, Mahler, Haydn and others Bernstein demonstrates how a "serious" composition can take an unexpected humorous turn. Prokofiev's Classical Symphony is played in its entirety.

What is a Concerto?

28th March 1959
Episode 7
Leonard Bernstein discusses the development of the concerto form from Bach to Bartok. Bernstein conducts examples of early concertos-Bach's Fifth Brandenburg Concerto and Vivaldi's Concerto in C Major. From the classical period, he conducts Mozart's Sinfonia Concertante and, finally, the fourth and fifth movements of Bartok's neo-classical Concerto for Orchestra.

Who is Gustav Mahler?

7th February 1960
Episode 8
Leonard Bernstein celebrates Mahler's centennial by conducting excerpts from the composer's Fourth Symphony in G and discussing his career as a composer and conductor. Soprano Reri Grist joins the orchestra in a performance of the last movement of the Fourth Symphony. William Lewis sings "Youth" and Helen Raab sings from "The Farewell," both from Mahler's The Song of the Earth (Das Lied von der Erde).

Young Performers No. 1

6th March 1960
Episode 9
Daniel Domb; Kenneth Schermerhorn; Barry Finclair; Stefan B. Mengelberg; Alexandra Wager

Unusual Instruments of Present, Past, and Future

27th March 1960
Episode 10
New York Pro Musica; Noah Greenberg; Vladimir Ussachevsky; Anita Darian

The Second Hurricane

24th April 1960
Episode 11
The High School of Music & Art

Overtures and Preludes

8th January 1961
Episode 12
No overview available.

Aaron Copland Birthday Party

12th February 1961
Episode 13
Aaron Copland; William Warfield

Young Performers No. 2

19th March 1961
Episode 14
Lynn Harrell; Elyakum Shapirra; Jung-Ja Kim; Russell Stanger; Veronica Tyler; Gregory Millar; Henry Chapin

Folk Music in the Concert Hall

9th April 1961
Episode 15
Bernstein discusses folk music and its influence on orchestral music, and conducts excerpts from Mozart, Chavez and Ives, and "Songs of the Auvergne" sung by Marni Nixon.

What is Impressionism?

1st December 1961
Episode 16
Bernstein focuses on impressionism in music, discussing the methods and styles of Debussy and Ravel. He conducts three movements from La Mer and the final dance of Daphnis et Chloe.

The Road to Paris

18th January 1962
Episode 17
Zara Nelsova

Happy Birthday, Igor Stravinsky

26th March 1962
Episode 18
Bernstein sketches a brief history of Stravinsky's musical career, noting changes of style and shifts of direction. The whole of Petrouchka is played and each scene is analyzed.

Young Performers No. 3

14th April 1962
Episode 19
Seiji Ozawa; Gary Karr; Maurice Peress; John Canarina; Ruth & Naomi Segal; Paula Robison; Paul Green; Tony Cirone; David Hopper

The Sound of a Hall

21st November 1962
Episode 20
John Corigliano, Sr.; Frank Gullino; Joseph Bernstein; William Dembinsky

What is a Melody?

21st December 1962
Episode 21
Bernstein discusses the different forms melody can take, including tune, theme, motive, melodic line and musical phrase. He illustrates by conducting the orchestra in excerpts from Tchaikovsky, Wagner, Mozart, Hindemith, and Brahms.

Young Performers No. 4

15th January 1963
Episode 22
Joan Weiner; Yuri Krasnopolsky; Claudia Hoca; Zoltán Rozsnyai; Pamela Paul; Serge Fournier; André Watts

The Latin American Spirit

8th March 1963
Episode 23
Bernstein discusses "the two ingredients that give this music its special Latin flavor: rhythm and color." Excerpts include Bernstein's own Symphonic Dances from West Side Story.

A Tribute to Teachers

29th November 1963
Episode 24
No overview available.

Young Performers No. 5

23rd December 1963
Episode 25
Heidi Lehwalder; Amos Eisenberg; Weldon Berry, Jr.; Claudio Abbado; Shulamit Ran (as Shulamith Ran); Pedro Calderon; Stephen E. Kates; Zdeněk Košler

The Genius of Paul Hindemith

23rd February 1964
Episode 26
No overview available.

Jazz in the Concert Hall

11th March 1964
Episode 27
Bernstein discusses the blending of jazz and symphonic music, with performances and readings to illustrate. The program ends with Larry Austin's Improvisations for Orchestra and Jazz Soloists.

What is Sonata Form?

6th November 1964
Episode 28
Bernstein describes the three-part sonata form, and exemplifies it by singing the Beatle's "And I Love Her." Veronica Tyler sings Micaela's aria from Bizet's Carmen and Bernstein conducts the Philharmonic in the first movement of Mozart's Jupiter Symphony.

Farewell to Nationalism

30th November 1964
Episode 29
No overview available.

Young Performers No. 6

28th January 1965
Episode 30
Patricia Michaelian; James Boswell IV

A Tribute to Sibelius

19th February 1965
Episode 31
Bernstein celebrates the one hundredth anniversary of the birth of Finnish composer Jean Sibelius, and comments on Finland, the Finnish language, and Finnish patriotism, as well as Sibelius himself. Works by the composer, including Finlandia and the first movement of his Violin Concerto, with soloist Sergiu Luca, are performed.

Musical Atoms: A Study of Intervals

29th November 1965
Episode 32
Bernstein explains musical intervals and discusses their relationship to harmony, melody and inversion. After analysis, the first movement of Symphony No. 4 in E-flat Major by Brahms is performed. The discussion continues, focusing on major and minor seconds.

The Sound of an Orchestra

14th December 1965
Episode 33
Bernstein explains that the duty of the orchestra is to reproduce faithfully the notes and instructions of the composer. The main focus is the first half of Haydn's Symphony No. 88. The opening music is deliberately played incorrectly and errors are pointed out.

A Birthday Tribute to Shostakovich

15th December 1965
Episode 34
Bernstein celebrates Dmitri Shostakovich's sixtieth birthday by discussing his work and conducting an excerpt from his Symphony No. 7 and all of Symphony No. 9.

Young Performers No. 7

22nd February 1966
Episode 35
Performers include Paul Schoenfeld; Stephanie Sebastian; David Oei; Horacio Gutiérrez; James DePreist; Jacques Houtmann; Edo de Waart.

What is a Mode?

23rd November 1966
Episode 36
Bernstein discusses scales, intervals and tones, and analyzes several pieces, including Debussy's Fêtes, Rimsky-Korsakov's Scheherazade, and music from the Kinks and the Beatles, to illustrate different modes. An excerpt from Bernstein's ballet Fancy Free is also performed.

Young Performers No. 8

27th January 1967
Episode 37
Elmar Oliveira; Mark Salkind; Fred Alston; Donald Green; Juan Pablo Izquierdo; Sylvia Caduff; George Reid; Young Uck Kim

Charles Ives: American Pioneer

23rd February 1967
Episode 38
No overview available.

Alumni Reunion

19th April 1967
Episode 39
Stephen E. Kates; Veronica Tyler; André Watts

A Toast to Vienna in 3/4 Time

25th December 1967
Episode 40
Bernstein pays tribute to New York Philharmonic's "fraternal orchestra," the Vienna Philharmonic, in celebration of the 125th anniversary of both orchestras. Works by Johann and Richard Strauss, Mozart, Beethoven, and Mahler are performed, preceded by a brief discussion.

Forever Beethoven

28th January 1968
Episode 41
Joseph Kalichstein; Paul Capolongo

Young Performers No. 9

31st March 1968
Episode 42
Lawrence Foster; Alois Springer; Martin and Steven Vann; Helen Quach, Michael DeTemple

Quiz-Concert: How Musical Are You?

26th May 1968
Episode 43
Leonard Bernstein quizzes Avery Fisher Hall and television audiences on their musicality. Highlights include true-or-false questions with musical examples, and excerpts from Mozart, Prokofiev, and Rimsky-Korsakov.

Fantastic Variations (Don Quixote)

25th December 1968
Episode 44
Lorne Munroe, cellist

Bach Transmogrified

27th April 1969
Episode 45
Michael Korn; Leopold Stokowski; Moog synthesizer; New York Rock and Roll Ensemble

Berlioz Takes a Trip

25th May 1969
Episode 46
Bernstein discusses what he describes as the "first psychedelic symphony," Berlioz's La Symphonie fantastique, examining the concept of the idée fixe in music and illustrating this concept with excerpts froth first movement. Bernstein analyzes the music and discusses the story line of the remaining movements, which are performed by the Philharmonic.

Two Ballet Birds

14th September 1969
Episode 47
Bernstein compares the main theme of Tchaikovsky's Swan Lake with Stravinsky's Firebird. A performance of the pas de deux from Swan Lake illustrates the concept of abstract ballet, followed by excerpts from Stravinsky's Firebird.

Fidelio: A Celebration of Life

29th March 1970
Episode 48
Bernstein takes a look at Beethoven's so-called "flawed masterpiece" - his only opera, Fidelio. After discussing the story and its problems, "charming excerpts" are performed. Four vocal selection from Act II follow, each preceded by analysis and plot summary.

The Anatomy of a Symphony Orchestra

24th May 1970
Episode 49
No overview available.

A Copland Celebration

27th December 1970
Episode 50
No overview available.

Thus Spake Richard Strauss

4th April 1971
Episode 51
No overview available.

Liszt and the Devil

13th February 1972
Episode 52
No overview available.

Holst: The Planets

26th March 1972
Episode 53
No overview available.
Top Cast

From 1958 through 1973, renowned conductor and composer Leonard Bernstein and the New York Philharmonic Orchestra thrilled audiences with wonderful concert experiences presented in a sparkling music-with-commentary format: the Young People's Concerts.

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